Alice Ghostley

From RoyalWeb
Jump to: navigation, search
(Early Life)
(Early Career)
Line 14: Line 14:
  
 
===Early Career===
 
===Early Career===
One source states that it was Imogene who told Leonard Sillman about Ghostley, while another credits Murray Grand.  Whoever did it, Leonard put Ghostley in his annual revue ''New Faces'' of 1952 where she had a hit with her rendition of the song "The Boston Beguine".  They played Broadway for a year, and then toured to a 28-week engagement in Chicago, followed up by stops in San Francisco and Los Angeles.  Four of the other aspiring members of the revue that year were [[Paul Lynde]], [[Ronny Graham]], [[Robert Clary]] and [[Eartha Kitt]], and one of the writers, in his first work for the Broadway theater, [[Mel Brooks]].  The tour was so successful, that "New Faces" was made into a Cinemascope production, and Alice again was a co-star as was Eartha Kitt, but Paul Lynde's name does not appear in the advertisement.  As amateurs, she and her sister Gladys once did an act together and were given the eerie-sounding billing of "The Ghostley Sisters."
+
One source states that it was Imogene who told Leonard Sillman about Ghostley, while another credits Murray Grand.  Whoever did it, Leonard put Ghostley in his annual revue ''New Faces'' of 1952 where she had a hit with her rendition of the song "The Boston Beguine".  They played Broadway for a year, and then toured to a 28-week engagement in Chicago, followed up by stops in San Francisco and Los Angeles.  Four of the other aspiring members of the revue that year were [[Paul Lynde]], [[Ronny Graham]], [[Robert Clary]] and [[Eartha Kitt]], and one of the writers, in his first work for the Broadway theater, [[Mel Brooks]].  The tour was so successful, that "New Faces" was made into a Cinemascope production released in 1954, and Alice again was a co-star as was Eartha Kitt, but Paul Lynde's name does not appear in the advertisement.  As amateurs, she and her sister Gladys once did an act together and were given the eerie-sounding billing of "The Ghostley Sisters."
  
 
Her act, as reported many years later consisted of : "Appearing in horn-rimmed glasses and dressed in a frumpy black sweater, she stumbled across the stage as a bewildered, sexually repressed young woman, crooning to a beguine beat about her ill-fated romance with a Harvard man, underneath a 'Voodoo moon' in Boston."
 
Her act, as reported many years later consisted of : "Appearing in horn-rimmed glasses and dressed in a frumpy black sweater, she stumbled across the stage as a bewildered, sexually repressed young woman, crooning to a beguine beat about her ill-fated romance with a Harvard man, underneath a 'Voodoo moon' in Boston."

Revision as of 16:17, 6 August 2008

Personal tools
MOOCOW
Google AdSense