Henry Jaynes Fonda

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(Middle Career)
(Middle Career)
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<table><tr><td>http://www.afi.com/Images/tvevents/laa/archive/gal_Fonda_Henry_3.jpg Henry Fonda as Tom Joad</td><td>
 
<table><tr><td>http://www.afi.com/Images/tvevents/laa/archive/gal_Fonda_Henry_3.jpg Henry Fonda as Tom Joad</td><td>
  
Henry Fonda played the title role in 1939's ''Young Mr. Lincoln''.  In 1940 Henry received his first Oscar nomination playing in arguably his best-known role, as Tom Joad in the 1940 film ''The Grapes of Wrath'' based on the novel by Steinway.  To get this role, he had agree to a seven-year contract which compelled him to play in such nothings as the romantic-comedy ''The Lady Eve'' in 1941 with [[Barbara Stanwyck]] and 1942's ''The Male Animal''.
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Henry Fonda played the title role in 1939's ''Young Mr. Lincoln''.  In 1940 Henry received his first Oscar nomination playing in arguably his best-known role, as Tom Joad in the 1940 film ''The Grapes of Wrath'' based on the novel by Steinbeck.  To get this role, he had agree to a seven-year contract which compelled him to play in such nothings as the romantic-comedy ''The Lady Eve'' in 1941 with [[Barbara Stanwyck]] and 1942's ''The Male Animal''.
  
 
Henry's co-starring role opposite [[Lucille Ball]] in 1942's ''The Big Street'' should probably be put into this category as well, except I can't quite get over this strangely self-centered, bitchy Lucy.  It's so different from her remembered character that you're forced to watch.  It's Lucy that makes this a movie to see, even though it's not her best work and it's a bit off-kilter.  Henry plays a man deeply in love with her, who she doesn't notice, thinking him beneath her station, even though he comes to her rescue several times.
 
Henry's co-starring role opposite [[Lucille Ball]] in 1942's ''The Big Street'' should probably be put into this category as well, except I can't quite get over this strangely self-centered, bitchy Lucy.  It's so different from her remembered character that you're forced to watch.  It's Lucy that makes this a movie to see, even though it's not her best work and it's a bit off-kilter.  Henry plays a man deeply in love with her, who she doesn't notice, thinking him beneath her station, even though he comes to her rescue several times.

Revision as of 17:43, 11 August 2008

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